Steadicam AERO 30 Stabilizer with A-30 Arm & V-Mount Battery Mount
Details
Steadicam AERO 30 Overview
This B&H Kit combines the Stabilizer AERO 30 Stabilizer with a V-Mount Battery Mount, for powering the included monitor as well as other possible accessories via a D-Tap output.
The Steadicam AERO 30 Stabilizer System is a full-on Steadicam system that is also a user-friendly choice for beginners. It supports up to 20 lb loads, and offers tool-free adjustment of the sled.
Included are a 7″ HDMI/3G-SDI monitor with 1000 cd/m² brightness, an A-30 arm, Zephyr vest, BNC video cable, mini-XLR monitor cable, and eight 0.25 lb balancing weights. A two-section carbon fiber post is extendable from 22.5 to 35.5″. V-Mount, Gold Mount, and DV battery mount options are available and sold separately from Steadicam.
This is a V-Mount Battery Plate from Steadicam designed to attach to the Steadicam AERO 15 or AERO 30 stabilizer and support V-Mount batteries to power the stabilizer. The plate also features a D-Tap output for powering accessories.
Steadicam AERO 30 Stabilizer System With A-30 Arm (No Battery Mount) Specs
| Stabilizer Type | Vest System |
| Load Capacity | 20 lb / 9 kg |
| Height | 22.5 to 35.5″ / 57 to 90 cm |
| Weight | 9 lb / 4 kg |
| Counterweights | 8 x 0.25 lb / 0.11 kg |
| Material of Construction | Carbon Fiber |
| Package Weight | 36 lb |
| Box Dimensions (LxWxH) | 30 x 24.5 x 20″ |
Steadicam V-Mount Battery Plate For Steadicam AERO 15 And 30 Specs
| Package Weight | 1.35 lb |
| Box Dimensions (LxWxH) | 7.2 x 5.3 x 4.1″ |
FeelWorld P173-9HSD 17.3" Broadcast LCD Monitor
Lens
$100
A Day
Details
FeelWorld P 9HSD Monitor Overview
Featuring a full-HD IPS LCD panel, the FeelWorld P173-9HSD 17.3″ Broadcast LCD Monitor can be used for 4K, HD, as well as SD workflows in studio, broadcast, and other professional video applications. The rear panel contains SDI, HDMI, DVI, component, and composite inputs, and outputs are available for SDI, HDMI, component and composite. The HDMI input will accept both DCI and UHD 4K signals for high-resolution productions. A separate audio input for analog stereo audio is available via RCA connections. A tally input can be used for studio integration.
Professional monitoring tools such as focus peaking, markers, monochrome, R/G/B-only, pixel-to-pixel mapping, and image flip are built-in for analyzing your video and ensuring a proper image. A V-mount plate is built into the back for powering in the field, away from a mains source. If shooting outdoors attach the included sunhood for optimal contrast. A U-bracket is also included for convenient tabletop mounting.
- Peaking Focus Assist (Red highlight over parts of the monochrome image in focus)
- R/G/B-only and monochrome viewing modes
- Camera scaling mode
- Pixel-to-pixel mapping
- Aspect ratio and title-safe markers
- Image flip
- Image freeze
FeelWorld P 9HSD Monitor Specs
| Panel Type | TFT LCD |
| Display Size | 17.3″ / 43.9 cm |
| Resolution | 1920 x 1080 |
| Aspect Ratio | 16:9 |
| Viewing Angle | Horizontal: 160° Vertical: 140° |
| Maximum Brightness | 400 cd/m2 |
| Contrast Ratio | 600:1 |
| Dot Pitch | 0.1989 x 0.1989 mm |
| Bit Depth / Color Support | 8-Bit (16.7 Million Colors) |
| Image Controls | Blue Only, Focus Peaking, Image Flip, Pixel-to-Pixel Zoom, Screen Markers |
| Video I/O | 1 x BNC (3G-SDI) Output 1 x HDMI Output 1 x 3BNC (Component) Output 1 x BNC (Composite) Output 1 x BNC (3G-SDI) Input 1 x HDMI Input 1 x 3BNC (Component) Input 1 x DVI-I Input 1 x BNC (Composite) Input |
| Audio I/O | 1 x RCA Input 1 x 1/8″ / 3.5 mm Headphone Output |
| Built-In Speaker | 2 |
| Media/Memory Card Slot | None |
| Video Format | HDMI DCI 4K: 23.98/24 UHD 4K: 23.98/24/25/29.97/30 1080p: 23.98/24/25/29.97/30/50/59.94/60 1080PsF: 23.98/24 1080i: 50/59.94/60 720p: 29.97/30/50/59.94/60 576p 576i 480p 480i SDI 1080p: 23.98/24/25/29.97/30/50/59.94/60 1080PsF: 23.98/24 1080i: 50/59.94/60 720p: 23.98/24/25/29.97/30/50/59.94/60 480i 576i |
| DC Input Power | 9 to 24 VDC |
| Battery Type | None |
| Power Consumption | 26 W (Maximum) |
| Mounting-Hole Pattern | 100 x 100 mm |
| Operating Temperature | 14 to 122°F / -10 to 50°C |
| Storage Temperature | -4 to 140°F / -20 to 60°C |
| Dimensions | 16.3 x 11 x 1.4″ / 414 x 280 x 35.1 mm |
| Weight | 6.06 lb / 2.75 kg 7.28 lb / 3.3 kg, Including Bracket |
| Package Weight | 11.5 lb |
| Box Dimensions (LxWxH) | 20.5 x 16.2 x 6.4″ |
Related
Rokinon xeen 16mm F2.6 Canon EF Mount
Lens
Details
Rokinon’s Xeen16mm T2.6 Lens with Canon EF Mount is built specifically for use as a cinema lens. It features an internal focus design so that the lens does not change size while focusing, this minimizes the appearance of breathing when changing focus. Each lens in the set is multi-coated for good contrast, glare prevention, and color match to a factory standard, allowing you to assemble a set over time with minimal color shift. This 16mm lens provides what is considered a very wide angle of view on full-frame cameras, and a correspondingly tighter angle of view on smaller-format cameras.
The lens features dual sided focus scales marked in feet, with dual sided iris scales. The 11-bladed iris provides a rounded aperture for a natural looking highlights and Bokeh. The lens is a manual focus and iris lens, and does not have auto focus or auto iris capability. It incorporates cinema-style focus and iris gears that share the same position across the lenses in the Xeen set. The common 114mm front diameter allows for quick lens changes when using a matte box and focus accessories. The focus ring rotates 200° from close focus to infinity; this gives you a high degree of precision when adjusting focus. The lens mount can be shimmed, and additional mounts (available separately) may be used with the lens.
Note:
| Focal Length | 16mm |
| Lens Mount | Canon EF |
| Lens Format Coverage | Full Frame |
| Maximum Aperture | T2.6 |
| Minimum Aperture | T22 |
| Diagonal Angle of View | MFT: 66.86° Full Frame: 106.91° Super35: 87.43° |
| Minimum Focus Distance | From : 11.8″ / 30 cm |
| Diaphragm Blades | 11 |
| Focus Rotation | 200° |
| Iris Rotation | 32.5° |
| Image Stabilization | No |
| Dimensions (W x H) | 4.63 x 4.63″ / 117.6 x 117.6 mm |
| Length | 3.75″ / 95.3 mm |
| Weight | 2.6 lb / 1.2 kg |
| Package Weight | 4.05 lb |
| Box Dimensions (LxWxH) | 10.4 x 7.7 x 7.6″ |
Atlas Orion B Set 32, 50, 80mm Canon EF / Arri PL
Lens
Details
“B set” contains 32mm, 50mm, and 80mm T2 Anamorphic Prime lenses
At the heart of Atlas Lens Co. Orion Series is a true Front Anamorphic Group. Orion Series lenses deliver the striking beauty of painterly waterfall bokeh, disproportionate breathing, and signature but controlled flare. These optical characteristics are now available as part of your cinematic storytelling toolkit with a mechanical functionality that won’t leave you feeling confounded by compromise.
Orion Series Anamorphic Lenses are built to be a universal filmmaking tool – ready for the latest Digital Cinema PL mount cameras like Arri Alexa or Red DSMC2, Canon Mount Cinema Cameras like the C300, or adapted Sony E Mount or Micro 4/3 cameras, and are even designed to accommodate the rotating mirror shutter of 35mm Motion Picture Film Cameras following Arri PL Flange requirements. Whether your project requires you to shoot digital or film, the 65mm T2 has the coverage you need and boasts a larger than S35mm Image Circle. (Alexa Open Gate full height Coverage)
Atlas 32mm, 40mm, 50mm, 65mm, 80mm, and 100mm T2 Anamorphic Prime lenses represent the culmination of years of research, development, and exploration of a dedicated team of Scientists and Image Making Professionals.
With the availability of newer digital sensors from major camera manufacturers capable of Full Height anamorphic formats, it is only fitting that Atlas make available a greater range of lens choices for the discerning cinematographer.
WHY ANAMORPHIC?
YOUR VISION IN WIDESCREEN FORMAT
Why is Cinemascope Anamorphic shooting so special? It’s often difficult to put into words the feeling we are left with when watching something shot using Anamorphic lenses. One particularly unique feature of a true front Anamorphic Lens is that for a given focal length, you have the same vertical field of view as that of a spherical lens of the same focal length, but with twice the horizontal field of view (2X). In the example of a 65mm 2x Anamorphic Lens, you would have a 65mm vertical FOV with 32.5mm equivalent horizontal FOV.
In effect, you can capture a wide-angle image with the inherent shallow Depth of Field qualities of a telephoto prime lens. This optical property creates a unique sense of perspective magnification which generates depth in your images — at times feeling more epic than real life as we experience it!
Utilizing a sensor optimized for Anamorphic shooting (4:3 mode, Full Aperture 17.8mm sensor height) you can unlock the full Imaging potential of the Orion Series Anamorphic Lenses.
2X ANAMORPHIC 65MM VS. SPHERICAL 65MM
| Focal Length | 32 to 100mm |
| Lens Mount | ARRI PL / Canon EF |
| Lens Format Coverage | Super35/APS-C |
| Image Circle | 31.0 mm |
| Maximum Aperture | T2 |
| Minimum Aperture | T16 |
| Gear MOD & Pitch | Focus: 0.8 MOD / 32 Pitch Iris: 0.8 MOD / 32 Pitch |
| Front Diameter | 114 mm |
| Filter Thread | None |
| Focus Scales | Imperial |
| Electronic Communication | No |
| Horizontal Squeeze (Anamorphic) | 2x |
| Image Stabilization | No |
